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Yerevan, Armenia

Yerevan was the starting point for our exploration of Armenia and Georgia and in early March it was chilly, with snow on the ground and freezing fog obscuring our view most mornings, but pretty much every afternoon the sun broke through and we enjoyed its mixture of old and new buildings, public parks and lots of art.

The St Gregory the Illuminator Cathedral looked very atmospheric in the snow and fog. It was consecrated in 2001 having been built to celebrate 1700 years of Christianity in Armenia.

In the 1920s there was a grand plan to redesign Yerevan, it took a few years to be completed but Republic Square was the centre of that plan and today is the focal point of the city. Around its sides are impressive government buildings in the pink tufa stone characteristic of Yerevan, and in the centre is a pedestrianised square which is supposedly paved to look like a traditional Armenian carpet from above. I’m not sure that it manages to look like a carpet, but in the summer I’m sure it’s bustling with crowds watching the musical fountains whose pools were still empty after the winter when we visited.

Government offices and the History Museum of Armenia (right) flank the ‘carpet’ section of Republic Square

At the northern edge of the city centre is the Cafesjian Art Centre, also known as the Cascade due to its stepped appearance and fountains (also not working in March)

The Cafesjian Art Centre is a modern art space unlike anything we’ve seen before. Housed in a huge staircase with fountains, called the Cascade, it houses sculptures beside the escalators which run between the levels and an external sculpture park in the gardens at the front and on the building’s terraces with a funky range of modern art. On each internal level are galleries including two permanent exhibitions with huge pieces commissioned specifically for the museum – a mural of the History of Armenia by Grigor Khanjyan and a relief carving of the epic David of Sassoon.

Cafesjian Art Centre (clockwise from left): escalators run inside the building; ‘The Knot’ by Stephen Kettle is made of Welsh slate; ‘Gendrd I’ by Barry Flanagan is situated in the external sculpture garden

Following the steps above the Cascade building we came out at Victory Park which contains a fun fair and a large statue representing Mother Armenia

We also visited a couple of smaller art museums including the excellent museum dedicated to Yervand Kochar, a contemporary of Picasso, whose 4D sculptures were unlike anything we’ve seen before – rotating pieces of curved metal, slotted together and painted on all sides to create something not quite like a painting or a sculpture – Kochar called them “Painting in Space”.

Several of Kochar’s more traditional sculptures are placed around the city including the statue of 5th century military leader Vardan Mamikonyan in the Circular Park, notable for all four of the horse’s feet being off the ground

We visited a LOT of churches and monasteries during our weeks in Armenia and Georgia but on our first afternoon in Yerevan we had one of those serendipitous moments that remind us why we travel. We’d read about a small church surrounded by apartment blocks and as we approached at 5pm its bells were ringing. We entered just as a service started and sat quietly at the back watching people come and go while priests chanted, candles were lit and incense pervaded the air.

The Zoravor Surp Astvatsatsin Church doesn’t look so remarkable from the outside, but inside it felt other worldly

On Tsitsernakaberd hill overlooking the city sits the genocide memorial, a sobering monument to the thousands of Armenians who lost their lives in ethnic cleansing carried out by the Ottoman Empire in 1915-22. The well laid out museum chronicles the story and includes historical documents, photographs, personal possessions and testimonies. It reminded us of the Nanjing Massacre Memorial Hall and the atomic bomb memorial museums in Hiroshima and Nagasaki. Outside, the eternal flame burns in a circle of 12 slabs which is beside a splintered needle representing the provinces of Western Armenia lost to Turkey in a post WWI deal between Ataturk and Lenin.

As we exited the museum a Russian delegation was visiting the monument and laying flowers so we had to wait for them to leave before we could approach the eternal flame

To the west of the city centre there’s a former railway tunnel that runs down the hill to the park beside the Hrazdan river. It’s been converted for pedestrian use and is full of graffiti, nevertheless it probably wouldn’t be all that interesting were it not for the unusual zig-zag lighting which makes for a great photo.

Kond pedestrian tunnel

Armenians are very proud of their culture, and nowhere is this more obvious than at the Matenadaran, literally “book depository” where historical documents and precious manuscripts are kept and displayed. Honestly, I don’t think we got the most out of this museum, the manuscripts had English labels with their age and what they were (e.g. gospel) but there wasn’t any explanation of the context or history contained and we wished we’d paid extra for a guided tour. Still, the illuminated documents, some of them over 1000 years old were very beautiful.

In front of the Matenadaran is a statue of Mesrop Mashtots the creator of Armenia’s alphabet

Food is always high up on our list of things to explore when we visit a new country and we struck gold in our choice of Airbnb room in the apartment of Astghik and her family. Each morning her mother, Shoghik, produced some new homemade wonder from her fridge or oven for us to try. With a bizarre combination of her limited English, our very limited Russian, sign language and Google Translate she explained to us how each item was made, from homecured meat (basturma), preserved cheese (khorats panir) and pickles to pumpkin swirl cheesecake and the best coffee in Armenia.

Consequently our Armenian vocabularly is about 50% food words and when we finally visited the large GUM market we recognised a lot of what we saw. In the summer months I think the fresh produce would play more of a starring role but in the winter there were nuts and preserved fruit galore alongside the butchers, greengrocers, spice stalls and clothes sellers and a fabulous second-hand “junk shop” like corner of the upper level which is where we agreed we would find the furnishings for our Yerevan apartment if we lived here!

One corner if the market hall is devoted to the huge Armenian flatbreads called lavash

No sooner had we entered the market than the dried fruit and nut sellers started to bombard us with samples and start off on their spiel at breakneck speed (usually in Russian). This was a little intimidating and we were wandering along trying to keep our heads down when an enthusiastic vendor started thrusting spices under our nose and feeding us samples of his barberries. We politely agreed that they smelt wonderful but thank you we don’t want any, undeterred he took us to his store room at the side of the market hall and started plying us with samples of pomegranate wine and apricot vodka (we refused the latter as it was 10.30am but it smelt wonderful). We gave in and bought a litre of the pomegranate wine and he decanted from the large container into an old Coke bottle before we made our escape!

Yerevan’s GUM market (clockwise from top left): orderly displays of dried fruit and nuts; salad and herbs; go on, pretend you don’t want to delve into this lot for treasure; there was a lot of locally produced honey for sale

We’d read of the long tradition of viniculture in this part of the world but didn’t expect to encounter good beer. However, during my research on Yerevan I’d come across Dargett Craft Beer, a microbrewery serving interesting craft beers. Oh, and it was good! We visited three times and (with the help of their taster flights) tried almost all of the 20ish beers on offer, and there wasn’t a bad one among them. My favourite was the apricot ale.

On our final afternoon in the city we took a tour of one of the city’s two brandy factories, the Noy Brandy Company. Originally set up in the 19th century it closed down and fell into disrepair in the second half of the 20th century. It’s now been renovated and reopened complete with cellars full of old wine barrels (though they only produce brandy here now). During the Soviet era Armenian brandy was prized across the USSR and Noy are proud that they are still the official brandy supplier to the Kremlin.

Trying brandies in the Noy Brandy Company’s tasting room

Before our visit we’d read and seen pictures of Mt Ararat which is supposedly visible from many points in Yerevan. It’s the mountain where Noah’s Ark came to rest and is sacred to Armenians though it is now across the border in Turkey and they can only look at it. Unfortunately for us it was quite shy and seemed to be shrouded in cloud most of the time so that we didn’t even get a peek for the whole week that we were there.

Julie’s Highlights of Havana

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Like most capital cities, Havana has a wide variety of things to see. Andrew has already written about his highlights, here are mine.

Museo Nacional de Bellas Artes

Cuba’s Fine Art Museum is spread across two buildings in Centro Havana, one dedicated to Cuban art and the other to international art. We visited the Cuban building first and I was blown away by the quality and variety of the works on display. The exhibits are arranged chronologically, the first few rooms are dedicated to colonial art with some arresting portraits, landscapes showing the countryside and life in the past with a few maps thrown in for good measure.

Fine Art Museum, Havana Outside the Cuban building of Havana’s Fine Art Museum, sadly no photographs allowed inside

The rest of that floor (about three-quarters of it) shows how art progressed in Cuba from the late-19th to mid-20th century – this was my favourite part, I especially enjoyed the satirical cartoons of Rafael Blanco and Wilfredo Lam’s paintings which reminded us of Picasso. The second floor exhibits works from the mid-20th century through to the current day, also worthwhile but by that point we were starting to get museum fatigue (and hungry!) so probably didn’t enjoy them as much as we might have done.

El Tercer Mundo by Wilfredo Lam ‘El Tercer Mundo’ (The Third World) by Wilfredo Lam [photo credit: Transregional Academies]

Having refueled in a nearby cafe, we spent the afternoon in the international building and found the display of mostly pre-20th century European and Latin American art to be a bit lacklustre after the Cuban works. The stained glass ceiling in the central stairwell was spectacular although we worried about whether it would survive as it was in desperate need of renovation and the building seemed to be crumbling around it. Also in this building was a temporary exhibition by Francis Alÿs, mostly video installations covering the time he spent embedded with the British army in Afghanistan, immigration across the Straits of Gibraltar and his attempt to create a ‘bridge’ of boats stretching from Cuba to Florida.

Outside Museum of Fine Art, Havana Francis Alÿs is known for creating trails of paint from art galleries out into the surrounding cities

Fusterlandia

In search of more art, one day we made the long journey out to Jaimanitas on Havana’s western fringe to visit the home and workshop of José Fuster. Our guidebook suggested we take a taxi but we were sick of haggling prices and still feeling like we were being ripped off, so we took a chance on a local bus. We perhaps should have been a bit better prepared with landmarks around where we were supposed to get off but we managed OK and after a one hour bus journey (total cost MN4 = £0.12) and a 40 minute walk along a shady road we arrived feeling slightly smug.

Wow! I guess we’ve arrived at Fusterlandia, José Fuster’s home and workshop

Fuster has turned not only his home but half of his neighbourhood into something reminiscent of Barcelona’s Park Güell (created by Antoni Gaudí) with lots of organic forms and bright tiles covering every surface. We loved wandering the nearby streets checking out the colourful buildings and decorated walls, there’s even a tile covered unicorn!

Granma tile mosaic A tile mural of the Granma yacht and some of the revolutionaries who sailed in her

When we arrived Fusterlandia itself was closed for lunch but at 2pm we were able to go in and explore. It’s an overwhelming experience with seemingly every available surface covered in tiles, and every time we turned we spotted something new. There are lots of animals, cockerels especially appear very often, as well as hearts, a mermaid and a pavilion in honour of the Cuban Five.

Fusterlandia details (clockwise from top left): giraffes; a heart; the Cuban Five; and cockerels

Hershey train

We love travelling by train but it turned out to not be a straightforward way to get around Cuba – the rail infrastructure is not very good and the schedules are unreliable. In fact the only train that we travelled on was the electric line from Havana to Matanzas, though we got off midway in the small town of Camilo Cienfuegos (aka Hershey). I don’t want anyone to get the wrong idea, this electric line can not be compared to Japan’s shinkansen, or even the East Coast Mainline back in the UK, it’s an old interurban train – basically a very rickety tram!

The rather dilapidated looking Hershey train at Casablanca station in Havana

The line was built in 1921 by American chocolate tycoon Milton Hershey to link his sugar mill (in the town then known as Hershey) with Havana and Matanzas. Before the Revolution the sugar produced here was shipped to the US to be turned into chocolate, but in 1959 the factory was nationalised (and the town was renamed after a revolutionary hero) and it feels as if there hasn’t been much maintenance to tracks or train since then, although actually the trains were replaced with second-hand Catalonian ones in the 1990s. It’s rusty and dilapidated and bumps and clangs along stopping at dozens of little ‘stations’ (imagine a concrete bus shelter next to the line and you’ll be about right) along the way.

Inside the Hershey train The one carriage train was pretty full leaving Havana and even more people got on at the next few stops

The sugar mill ceased production in 2002 and its rusting ruins dominate the sleepy town. We had a bit of a poke about and took some photos being careful not to cross the ‘Danger No Entry’ signs. While there we met an American father and son, Fred and Justin, who’d also travelled in on the train.

Hershey sugar mill ruins The huge sugar mill at Hershey is slowly disintegrating although its three chimneys remain intact for now

After taking photos of the mill we still had 3.5 hours to kill before the train back so we headed 1km north of town to the only other ‘attraction’ in the area, the Hershey Gardens, basically a rather overgrown pleasure ground with some woods, a pool for bathing and a couple of restaurants. We ate lunch with Fred and Justin swapping traveller’s tales over papaya juice while we waited for the food, before setting out to investigate the rest of the gardens only to discover that there wasn’t much to explore. The path wound along the river a little way to the pool where several local families were picnicking and cooling off in the water before coming to an end at a fence just a couple of hundred metres into the wood!

A peaceful section of the river in the Hershey Gardens

Callejon de Hamel

Tucked away off a quiet back street in Centro Havana is the Callejon de Hamel, an alleyway covered in artworks and host, at 12pm every Sunday, to a live rumba session. We thought it might be a show for tourists but there were at least as many locals there and the first band of musicians and dancers performed for an hour and a half! The drumbeat throbbed and everyone was clearly having a great time. Absolutely superb!

Artworks cover the surrounding buildings along the Callejon de Hamel

Cigar factory tour

Think of Cuba and one of the first things that’ll spring to mind is cigars, from the iconic images of Fidel Castro with a cigar clamped between his teeth to the roll call of famous brand names – Cohiba, Montecristo, Romeo and Juliet – and so we were keen to visit the Partagas factory in Havana to see how they were made (spoiler: they’re not rolled along the inner thigh of a nubile young woman…)

Partagas cigar labels Many of the famous cigar brands are made at the Partagas factory in Havana

We thought the tour was a bit overpriced at CUC$10 (£7) each for a 30 minute visit and we were very disappointed that we weren’t able to take photographs of the factory floor, nevertheless our guide Marisela was very knowledgeable and we had a small group so it was easy to get a good look at what was going on and ask questions. First she explained how tobacco plants are grown, and the different types of leaf which are needed to make each cigar (for flavour, strength and burn quality) as well as leaves from shade grown plants which are more flexible, almost stretchy, and used for the binder and wrapper.

Partagas cigar factory The interior atrium of the Partagas factory

Next we were taken up to the third floor where we could see the cigars being made. The workers were a mix of men and women across a wide age range and seemed friendly, smiling and winking at us as we peered in from the doorways and Marisela dashed back and forth bringing us samples to look at and smell. It is a highly skilled job and each worker must pass a 9 month training program before they can begin producing sale quality cigars (the practice duds are sent off to a different factory to be chopped up and made into cigarettes). We were interested to hear that salaries are paid in national pesos with a bonus in CUC (dependent on their output) plus 5 cigars per day.

It was fascinating to see how the cigars are rolled and pressed in forms before being bound and wrapped. Different workers each producing just one grade, length and thickness of cigar. I suspect its one of those things that looks very easy when performed by a skilled worker but is extremely difficult to get right, especially as the tightness of the roll is crucial to the finished cigar – quality control have a special machine, developed in Cuba, which measures the airflow through a sample of the production to make sure they will burn well.

Napoleon museum

Havana seems a rather unlikely place for a museum of artefacts relating to Napoleon, but here we are, one of the best laid out museums that we visited in Cuba. The displays include everything from soldier’s uniforms to period furniture to Napoleon’s pocket watch and were amassed by Cuban sugar baron Julio Lobo. Following the Revolution they were seized by the state and set out in a beautiful restored mansion near the university in Vedado.

Napoleon Museum Main Hall The stunning main hall of the Napoleon Museum

The museum was fairly quiet and a good way to spend an hour or so – I don’t think it’s on the itinerary of the bus tours – and the staff were friendly. The lovely lady on the second floor in particular spent a lot of time pointing out the various highlights set up in the bedroom and explaining to us the history of the museum collection.

More busts and statues of Napoleon than you ever wanted to see, including his death mask in the bottom right

Library, Napoleon Museum The top floor includes this magnificent library and a roof terrace with views over the city

Using the Museumkaart in Amsterdam

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Many of the big cities we’ve visited on this trip have some kind of discount card which is valid for many of their attractions. They tend to be a really good deal if you want to tick off three or four big name sights during a short visit. Unfortunately for us they’re usually only valid for 1-5 days and we want to spread our sightseeing out over a fortnight or a month rather than cramming it all into just a few days.

Amsterdam has this option too, it’s called the iamsterdam card and covers public transport as well as entry to attractions for 1, 2 or 3 days. But there’s another option here. If you’re not bothered about public transport (and it is very feasible to walk everywhere in the centre), the Museumkaart (Museum Card in English) is valid for a full year and allows multiple entries to around 400 museums across the country. It costs €59.50 and can be bought from museum ticket offices (we picked ours up at the Van Gogh Museum). It easily pays for itself after 4 or 5 visits as museums here are pretty pricey. In total we used it for €121.50 worth of visits during our month in Amsterdam, saving over €60 per person. Granted we wouldn’t have visited all of these places if we hadn’t had the card but it allowed us to just have a quick look whenever we were vaguely interested.

Here are the places that we visited using the Museumkaart:

Van Gogh Museum

You’ll never see as many Van Gogh paintings in the same place again as are in the galleries of the Van Gogh Museum. It’s laid out in chronological order and includes paintings by other artists to show how his contemporaries were working and those who were influenced by him, including Monet, Manet and Francis Bacon. We thoroughly enjoyed it and were happy to visit again with Dan, Clare, Scott and Emma.

Huis Marseille Museum of Photography

“Janus ‘the Polisher’ in café Hans en Grietje”, a 1958 photograph by Cor Jaring

Housed in two neighbouring canal houses the Huis Marseille Museum of Photography is host to a number of temporary exhibitions. When we visited one was a fascinating collection of pictures from a photographer who had visited North Korea, but over half the space was given over to a retrospective on the life’s work of local photographer Cor Jaring.

Nieuwe Kerk

I loved this series of photographs by Tomas van Houtryve taken from a drone in the US of events which are the habitual targets of drone strikes abroad – thought provoking and visually stunning

The Nieuwe Kerk (literally New Church) is a former church which is now used for art exhibitions. At the beginning of our month here it was showing a video installation by Bill Viola, and for our final week, the winning images from the 2015 World Press Photo competition. The video installations were quite hypnotic but maybe not something we would have paid to see. Whereas we knew we would enjoy the photographs as we saw the 2014 winners in Tokyo last year. Once again we were stunned by the ability of the photographers to capture the story in the images as well as often achieving something jaw-droppingly beautiful.

Museum Van Loon

After wandering beside so many of Amsterdam’s canals and admiring the architecture of the canalside buildings we wanted to have a look inside one. The Museum Van Loon is stilled lived in by the Van Loon family although nowadays they’re up in the former servants quarters and the house’s main rooms have been restored to their former splendour. It was also nice to spend some time in the small garden tucked away behind the house and entirely invisible from the street.

Rijksmuseum

The Rijksmuseum is so huge that it deserved its own post.

Anne Frank House

The Anne Frank House is high up on many people’s to-do list when they visit Amsterdam and the length of the queue outside reflects this (seriously it winds all the way through a nearby square and around a church). We managed to avoid the queue by reserving places online the day before (timed tickets seem to be released sporadically so keep an eye on it). The museum is small but well set up for the huge flow of people, telling the tragic story of Anne’s life and how she hid with her family for over two years. It was fascinating to see the secret annexe and learn a little more about the ‘helpers’ who brought them food and news from outside, and one of whom managed to rescue and keep the diary after the arrest in the hope that it could be returned to Anne after the war.

Stadsarchief exhibit

The main exhibit of the Stadsarchief (City Archive) is free to enter although it was of limited interest to us as all the captions were in Dutch only. However, the Museumkaart granted us entry to the special exhibit which was a different aspect of Cor Jaring’s work than we’d seen at the Huis Marseille Museum. When he died in 2013 he left his archive to the city, and the exhibit here focussed on his chronicling of the cultural revolution which took place in Amsterdam during the 1960s. The building itself is worth a look as it is a former bank and you can see the original vault doors as well as huge leather bound archives in the basement.

Stedelijk Modern Art Museum

Clockwise from top left: ‘The Parakeet and the Mermaid’ by Henri Matisse; Andrew admiring ‘Two Color Frame Painting’ by Robert Mangold; a 1920s clock by Jan Eisenloeffel in the design galleries; one gallery had dancers disguised as museum staff who took visitors by surprise when they entered

Hosting a special exhibition focussing on Henri Matisse during our visit the Stedelijk Modern Art Museum is the only museum that we had to pay a surcharge (€5) to enter with the Museumkaart. We both enjoyed the Matisse exhibition as it was well set up and liberally sprinkled with works from other major artists (Van Gogh, Picasso, etc.) to add context. The remainder of the upper floor was given over to a large number of works from the second half of the 20th century while the other half of the ground floor contained a selection from the museum’s large collection of design objects.

Our Lord in the Attic

From outside, the Museum Our Lord in the Attic looks like an unassuming canal house, but climb the stairs inside and you find the top three floors have been converted into a church! This dates from the 1660s when it was forbidden for Catholics to openly practice their faith and so secret churches like this one were built. Designed to accommodate 150 worshippers, it was used for over 200 years until the law was relaxed and a new church was built.

Street Art Museum Amsterdam

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There are a lot of tourists in Amsterdam and it’s hard to feel like you’re not somewhere that thousands of people have been before (or actually are right now, standing in front of you, with their cameraphones at the ready), but we think we managed it at least once. Amsterdam’s Street Art Museum is in the Nieuw West district at almost the westernmost point of Amsterdam’s tram lines, in any case at the very end of line 13. And that’s where we met up with our guide Anna and the Dutch couple who were also on the tour.

This striking mural was the first that we visited – ‘Dimension’ by Btoy

Anna has an interesting biography, she grew up in the Ukraine under the Soviet Union, left at 18 to live in London before moving onto Amsterdam, Brussels and New York before settling again in Amsterdam nine years ago. A few years later she quit corporate life to found a Street Art Museum…

Right across the street from ‘Dimension’ are a couple of familiar faces, Johan Cruyff and Van Gogh, by Uriginal

If you have a read about on the museum website you’ll find something saying ‘No we don’t have a map. We have tours’. We initially thought, OK fair enough, but in the end, stunning as the art on the walls is, it was Anna’s stories that really brought them to life. Talking essentially non-stop for three hours (and just try to get a word in!) she told us what the paintings mean (to her, to the artist, to the community), about the artists themselves and their often atypical lives, and about the difficulty of bringing the works into being.

Not all of the walls are bold and bright, take for example the delicately beautiful ‘Safety’ by Alaniz

The paint was only just dry on ‘Fatherhood’ by Stinkfish as it was completed the day before our tour

The most shocking aspect to me was the funding, the typical amount received per wall seemed to be about €2000, seems reasonable I thought, then Anna told us that the lift rental is €800, the paint cost €600, and the artists’ plane tickets were €400 meaning that there is barely any money left over for the artist, never mind for Anna and her tireless efforts at chasing through the bureaucracy. Oh, and while they’re in Amsterdam, the artist stays in Anna’s spare room!

‘Destiny’ by Skount has a very sad story hidden in its details but you’ll have to join a tour to find out what it is

Having seen Johannes Vermeer’s famous ‘The Milkmaid’ in the Rijksmuseum we loved ‘Glory’ by El Pez and Danny Recall.

Vermeer’s ‘The Milkmaid’ in the Rijksmuseum and the Street Art Museum version showing a cheeky bit of leg and surrounded by colourful parrots!

The timelapse video of the creation of ‘Glory’ is jaw-dropping… (video credit: Anna Stolyarova)
[youtube=https://www.youtube.com/watch?v=895Kmtkhf9A]

Anna in front of ‘Altruism’ by Spok with ‘Fertility’ by Skount in the background. These pieces will soon be lost as this housing estate is slated for demolition.

Detail of ‘Altruism’ by Spok. His technical skill is really obvious here, this is all done with spraycans, just look at the depth and range of colour that he’s managed to achieve

‘Pain and Relief’ by Bastardilla was the museum’s first work

When a 60 year old professional mural painter approached her to contribute a work to the museum, Anna was keen to see what he would do. This version of a traditional Dutch weather clock took longer to complete than any of the museum’s other walls – notice how meticulously measured all the bricks on the painted telecoms box are!

Note how the two pipes sticking out of the top of the building have been cleverly incorporated into ‘Industrialisation’ by La Ira

Towards the end of the tour was an area with some smaller works, all by different artists and very diverse. I love ‘Let Her Be Free’ with a woman in a headscarf of birds by Iranian duo Icy and Sot, she’s the new lock screen on my iPad (bottom left on the collage below).

The last wall that we visited was ‘Tolerance’ by Alaniz, a nice nod to the multicultural diversity of Nieuw West. Anna sees the community as an essential part of the museum’s work and actively looks to include residents in the process. She explained how before any work begins they go door-to-door to speak to all of the building’s residents and get their approval of the plans, as well as encouraging them to visit during the work and inviting them to a completion party.

‘Tolerance’ by Alaniz

You can book a tour of the Street Art Museum Amsterdam through the website, we highly recommend it.

Pisa, Italy

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We’d only planned a few days in Florence, and one of the main reasons for breaking up our journey through Italy en-route to Switzerland was the easy day-trip to Pisa, the local trains are frequent and take about an hour from the central Firenze SMN station to Pisa Centrale.

Us with the leaning tower of Pisa, Italy

Us with the famous leaning tower of Pisa!

Situated at the mouth of the River Arno – the same river that flows through Florence – Pisa has a long history of education and is still a very prestigious place to study. It’s also the birthplace of the famous physicist, mathematician, engineer, astronomer, and philosopher Galileo Galilei.

Arriving in Pisa, we headed straight for the wonderfully named Piazza dei Miracoli – literally Square or Plaza of Miracles – the location of the town’s cathedral, baptistry, cemetery and of course, the world famous leaning bell tower of Pisa.

The view as we entered the Piazza dei Miracoli – wow! We’re here and there it is.. a monument that we’ve heard of so many times and seen in so many movies and photographs. Most vividly for me is the movie Superman III where evil Superman straightens it!) – it’s almost unbelievable

Climbing the tower is by allocated time slot, and thankfully we only had to wait 10 minutes. The tour started with a seat in the main central atrium where we were given a quick but comprehensive history of the tower (in English and Italian) before we were shown the stairs to start our ascent.

Plumbline inside the leaning tower of Pisa, Italy

The floor of the central room is obviously sloped. This plumbline is hung from the centre of the 7th floor and almost touches the wall at head height on the ground floor! The lean of the tower has been reduced at various times over the years from 5.5° to ~4° today and is now structurally sound

Us and the stairs of the leaning tower of Pisa, Italy

Unlike the staircase in St Peter’s Basilica that just leaned more and more to the right, the stairs in Pisa lean more and then less to the same way – it’s a very strange feeling! The wear on the steps moves from the middle to the left too

Us at the top of the leaning tower of Pisa, Italy

The Plaza of Miracles, from the 6th floor of the leaning tower of Pisa. There’s a 7th floor but it was closed because of the really high winds that had damaged roofs, felled trees, delayed a lot of mainline trains and caused one fatality in Tuscany

View of from the top of the leaning tower of Pisa, Itlay

The view from the top of the Piazza and Pisa was well worth the climb. The strong, cold winds reminded us of the first bell tower we climbed in Riga at the start of our trip almost two years ago!

After a quick spot of lunch we did the second thing that you have to do when visiting Pisa..

Propping up the leaning tower of Pisa, Italy

The obligatory, unashamedly touristy photo of Pisa ;o)

Just like the layout in Florence, Pisa’s Baptistry faces the main doors and is circular. It’s the largest in Italy and it’s also just a few centimetres taller than the leaning tower!

Next up we headed to the other end of the Duomo to visit the Baptistry. We really liked its half-Roman, half-ornate-Gothic exterior, and we were surprised we were able to go up into the 1^st floor gallery inside. It has wonderful acoustics – the guard closes the door every half hour, stands in the middle of the room and sings a few notes that resonate for so long that he could create chords with his own voice!

The Baptistry contains a central octagonal font where the guard stands to demonstrate the acoustics

The Duomo or Cathedral of Pisa with the leaning tower peeping over its shoulder, as viewed from the gallery of the Baptistry

The central building of the Plaza of Miracles is the Pisa Cathedral. Started in 1064, inside it’s bright and airy and reminded us of Cefalù in Sicily, not least because the apse is filled with a similar Christ Pantocrator in beautiful gold mosaic. It also contains a pulpit that was sculpted between 1255-1260 by Giovanni Pisano – the classical style of the carving and sculpture is considered to be start of the Italian Renaissance (1260).

Pisa’s Duomo is much more impressive inside than Florence’s, the Christ Pantocrator mosaic in the nave reminded us of Cefalù in Sicily

The spacious and empty Camposanto Monumentale. The huge frescos are slowly being restored from the original drawings

The last building of the Square of Miracles we visited was the Camposanto Monumentale, or Monumental Cemetery. It’s a massive Gothic cloister full of tombs. The floor is covered in worn out gravestones, sarcophagi line up along the lower walls and above them are the remains of giant frescos that were largely lost due to a fire in World War II. It was very peaceful with few visitors and we loved the long corridors.

Tuttomondo by Keith Haring (1989), Pisa, Italy

“Tuttomondo” by Keith Haring painted in 1989 still looks bold and modern to this day and brightened up our visit to Pisa

Just a block away from the train station is the last mural by Keith Haring called “Tuttomondo” (All world), painted on the side of the S. Antonio Church buildings in 1989. We instantly recognised his simple stylised characters though we didn’t know the artist or that this was his last public work.

Pisa is a great little city. We were really surprised how ornate the leaning tower is, and that because it started leaning early in its construction, subsequent levels where built smaller on one side to try and correct the lean which means it could be more accurately described as the leaning banana tower of Pisa!

two year trip

Andrew and Julie's Travelling Adventures

Tag Archives: modern art

Yerevan, Armenia

Julie’s Highlights of Havana

Museo Nacional de Bellas Artes

Fusterlandia

Hershey train

Callejon de Hamel

Cigar factory tour

Napoleon museum

Using the Museumkaart in Amsterdam

Van Gogh Museum

Huis Marseille Museum of Photography

Nieuwe Kerk

Museum Van Loon

Rijksmuseum

Anne Frank House

Stadsarchief exhibit

Stedelijk Modern Art Museum

Our Lord in the Attic

Street Art Museum Amsterdam

Pisa, Italy